Introduction & Riffs

Introduction & Riffs is, as the title suggests, structured in two distinct sections: a slow, atmospheric introduction followed by a fast jazz-funk inspired main section, which contains a fugal section featuring the extreme ends of the saxophone family. There are two main motifs that underpin the whole work: the first an arpeggio figure heard right at the outset over stacked up harmony, and a second that enters at the bridge between the two main sections. These are joined together to form the basis of the fugue theme.

The riffs alluded to in the title come in the second half of the piece, initially built into a driving theme in the lower register instruments, followed by 'stabs' in the sopranos and later developed through all sections of the choir.

Roger May

Roger, on writing for saxes

"I grew up playing trumpet in wind bands, jazz/big bands and soul bands, and I studied composing for film. These experiences have all contributed to my style of writing, which I would describe as essentially tonal, with colourful harmonies and exciting rhythms. I think that this has often drawn me to newer ensembles rather than the traditional combinations; for example, many of my early compositions were for wind orchestra.

"My first opportunity to write solely for Saxophones came in 2002 when I was commissioned to write a quartet for Sax Shades, which became Urban Fusion (Reynard Music). I was very interested in building on this experience and writing for saxophone choir, and feel that the saxophone allows me to express some sides of my writing (especially the jazz-funk style) that may not be so suited to other instrumental combinations. My instinct is to play to the strengths of the saxophone, which I see as its agililty, ability for contrast and its soulful, expressive sound. I must add that the opportunity to write for multiple baritone saxophones couldn’t be missed!

"Recently, I have been increasing my musical output, and this competition has provided a great opportunity to do that with a very talented ensemble."

Roger May

To read more about Roger, please visit Roger May's website.